Top 111 PC Games #80-71

80. Worms: Armageddon (Team-17, 1999)

Just one game in the long-running Worms turn-based warfare strategy series, and the one widely regarded as the best in the franchise.  Unlike many of its sequels, it gives players the option to have teams larger than four worms (six or eight, depending on the number of players in the game), allows for custom team voices and terrain to be imported and has just the right blend of weapons, gadgets and options to make for lengthy, yet engaging online battles - from airstrikes to poisonous skunks to flamethrowers to Street Fighter style martial arts, you won't be wanting for ways to lay down the pain.  Not to mention that it's always more fun dropping a concrete donkey on a bigger group than a smaller one, of course.  A standout in the turn-based artillery combat genre.

79. The Incredible Machine (Jeff Tunnell Productions, 1993)

A puzzle game built on a great concept, having you solve various objectives using a collection of parts, each with unique properties and applications, to construct elaborate Rube Goldberg devices.  So something as simple as "guide the mouse to the mousehole" can involve pulleys, rope, balloons, scissors, pipes and a springboard, and that's just one of hundreds of scenarios spread across the series.  The first game later had an expanded release (The Even More Incredible Machine), two sequels that got expanded versions themselves, and a spiritual successor (Contraption Maker) that added even more goals to complete and parts to experiment with, so fans of logic puzzles had quite a lot to enjoy from this series.

78. The Incredible Toon Machine (Jeff Tunnell Productions, 1994/1996)

The Incredible Toon Machine is an offshoot of the Incredible Machine series which adds cartoon logic into the mix, pitting the titular characters against one another on the backdrop of a series of puzzles.  To this end, you'll fire catapults, utilize lights and magnifying glasses to burn things, use elaborate systems of ropes, pulleys and conveyor belts to transport objects, and, of course, cause mayhem with anvils, dynamite, revolvers and bombs.  The between-level cutscenes in the CD release were also a lot of fun, having Sidney Mouse and Al E. Cat (voiced by Rob Paulsen and Jim Cummings respectively) explain your objectives with bits of animation and plenty of jokes.  Oddly the game also had a Japan-exclusive reskin for the Playstation and Sega Saturn, changing the objects and characters to ones from the Ghosts n' Goblins franchise.

77. Indiana Jones and the Last Crusade: the Graphic Adventure (LucasArts, 1989)

Indiana Jones and the Last Crusade was of course an incredibly popular film, so naturally it had a number of video game adaptations.  Easily the best is the Graphic Adventure, developed in-house by LucasArts themselves, and they did right by the IP with a high quality point-and-click adventure.  Not only is it a visually gorgeous game for its time, but it also lets you choose your own adventure to a degree.  While you can follow the events of the film very closely, completing optional objectives or using specific items at the right time can let you bypass some difficult segments, and a few key scenes can play out much differently, which gives it a fair bit of replay value.  Trying to get all 800 possible points is also a very difficult challenge that will require multiple playthroughs and extensive knowledge of the game.

76. Grim Fandango (LucasArts/Double Fine, 1998/2015)

Another highly-acclaimed adventure from Tim Schafer and Lucasarts; unfortunately critical acclaim doesn't necessarily translate to strong sales, so they began to wind down their adventure game development shortly after this one's release (only releasing one more Monkey Island game after).  Still, it attracted enough of a fan following to get a remaster and remains acclaimed for its clever premise, inventive art style and strong sense of humor.  Starring Manny Vargas, a "travel agent" for the Land of the Dead, he seeks to unravel a conspiracy and restore the natural order of the afterlife.  It does use tank controls and fixed camera angles so moving and navigation takes some getting used to, but once you get it down you're in for a high-quality adventure.

75. Shadowrun: Dragonfall/Hong Kong (Harebrained Schemes, 2014/2015)

The second and third games in the rebooted Shadowrun franchise, and easily my favorite ones so far, expanding on everything the original brought to the table while losing nothing that made it great.  The story is nothing short of brilliant, bringing together a cast of diverse and complex characters to solve the mystery of their friend's deaths and the underlying conspiracies behind them.  Throughout the game, every choice you make seems to be the wrong one, making you new enemies and seemingly digging you deeper into a pit you can't escape from, while the combat only gets more intense with enemies bringing out bigger guns, setting up nastier traps and summoning bigger monsters to get in your way.  Stellar stuff all around, and a perfect example of how to do a grim, atmospheric game experience right.

74. Blood (Monolith, 1997)

The Build engine may have looked just a bit dated by 1997, especially since Quake was the hot new game on the market, but Blood proved that superior design could more than make up for older tech.  Blood is a master class of horror elements, with a grim, creepy atmosphere and enemies like giant spiders, gargoyles, cultists and flame-spewing cerberus dogs, all with the same immersive and surprisingly realistic level design that made Duke Nukem 3D work so well.  The weapons are equally inventive, with mundane options like a shotgun and tommy gun taking a back seat to weapons like a flare gun or a spray can/lighter to ignite enemies, a voodoo doll that inflicts extra damage to undead/magical enemies (but will damage you if you stab it when no enemies are onscreen) and a crazy-looking skull staff called the Life Leech that doubles as a stationary sentry gun.  The game was exceptionally tough (not aided by a bug that would cause the difficulty level to cycle every time one loaded a save), but the sheer inspiration behind its design is something that must be seen.  It's just a shame the sequel (Blood II: The Chosen) was such a mess.  As for the sequel's expansion... well, "avoid at all costs" is about the kindest thing that can be said for that.

73. The Secret of Monkey Island (LucasArts, 1990)

The first entry in what would become a long-running (if not exactly strong-selling) series, Secret of Monkey Island is a humorous point-and-click adventure starring the bumbling Guybrush Threepwood, who is tasked with completing three trials to become a pirate.  These take the form of some brilliantly funny puzzles - the insult-swordfighting is a particular favorite - and eventually culminate in a showdown with the vicious ghost pirate LeChuck, who would become Guybrush's recurring nemesis throughout the series.  The second half of the game does feel a bit rushed, but overall this is still a worthy adventure game and a solid start to a consistently fun and irreverent franchise.

72. Beyond Shadowgate (Zojoi, 2024)

It took a decade to get done, but 2014's Shadowgate reboot finally got its sequel - Beyond Shadowgate.  Bearing virtually no resemblance to the action-adventure Turbografx-CD title of the same name, this is based on the originally pitched design document is very much a callback to the point-and-click style titles of the '80s, even recreating the familiar interface, dry sense of humor and pixel art with very limited animation of the classic titles.  There are also numerous callbacks to those titles, from lines of dialog to straight-up cameo locales returning, which I quite liked as a long-time fan. Thankfully they also avoid a lot of the annoying trappings of frustrating old '80s adventures, with logical puzzles and no ways to make the quest unwinnable (none that I could find at any rate).  If you're a fan of the classic ICOM titles, this is one you don't want to miss.

71. Kenshi (Lo-Fi Games, PC)

An independent game in development for over twelve years, released on Steam Early Access in 2013 and finally given a proper Version 1.0 release at the tail end of 2018.  So for all that effort, it had to be good, right?  Well, yes.  In fact, Kenshi actually feels like a fully-realized version of Fallouts 4 and 76 in some respects, providing a game that feels like a well-constructed and cohesive whole instead of a mishmash of half-baked ideas in an engine that wasn't really built for them.  Basically an open world sandbox RPG with a real time strategy bent set in an expansive environment that combines low fantasy and post-apocalyptic science fiction, Kenshi is an oddity in that the player isn't a "chosen one" or anything of the sort; in fact, there isn't really even an overarching storyline.  Just a complex backdrop and several walks of life for you to start in (from being a lowly adventurer to a holy knight to an escaped slave to an exile from a strange insect-like race) and once you start, you're just left to your own devices.  As you play more and more you'll slowly build up your stats and resources, recruit allies, construct bases and steadily make your way to becoming a substantial presence in  the world from basically nothing, and that's always fun.  The strangeness of the setting and the complex, yet intuitive gameplay lend it a lot of charm, and of course, player modding only lets you tweak the experience to your exact tastes.  The kind of engrossing, endlessly deep experience only the PC platform can provide, and Kenshi does it exceptionally well.

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