58. Cave Story (DÅkutsu Monogatari) (Pixel, 2004)
Warcraft was one of Blizzard's earliest hits; an early real-time strategy game with two long and varied campaigns and plenty of charm and atmosphere. The sequel offered a vastly improved UI, faster pace and larger-scale battles, and Warcraft III certainly upped the ante too. The total number of playable factions was raised to four (adding the corpse-manipulating Undead and nature-oriented Night Elves) and some RPG elements were worked into the proceedings - each army gets their own unique "hero units" that power up after defeating foes, carry an inventory of items (like stat boosting equipment or potions to recover HP) and have powerful spells that can quickly turn the tide of battles. The Frozen Throne is a great expansion too, adding new units for each army, two neutral factions (the Naga and the Dranei), reintroducing naval battles, and of course continuing the storyline from the original game. It's just a shame that Activision has seen fit to taint its legacy with the absolutely wretched "remaster" called Warcraft III: Reforged, which not only has mountains of bugs and glitches, but you can't even play the original version online anymore AND they get dibs on any custom games you make with their engine. Nice one, morons!
The second and third games in the rebooted Shadowrun franchise, and easily my favorite ones so far, expanding on everything the original brought to the table while losing nothing that made it great. The story is nothing short of brilliant, bringing together a cast of diverse and complex characters to solve the mystery of their friend's death and the underlying conspiracy behind it. Throughout the game, every choice you make seems to be the wrong one, making you new enemies and seemingly digging you deeper into a pit you can't escape from, while the combat only gets more intense with enemies bringing out bigger guns, setting up nastier traps and summoning bigger monsters to get in your way. Stellar stuff all around, and a perfect example of how to do a grim, atmospheric game experience right.

51. Ion Fury (Voidpoint, 2019)
The prequel to the 2016 flop "Bombshell" but thankfully it succeeds in every way its predecessor failed, bringing back the Build Engine with all the panache and clever design that made games like Duke Nukem and Blood great in the first place. Fast-paced action in surprisingly realistic environments (well, as much as a twenty-four year old engine can muster, at least) with a huge number of interactive objects, secrets to find, clever enemy designs, tons of references to old 3D Realms games and a cool wisecracking protagonist, as well as some new features for the engine like climbable ladders and alt-fire for almost every weapon. It may not be the modern era's prettiest shooter, but I was having too much fun with it to care. Ion Fury is the long-lost cousin of all the classic '90s shooters.